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	<title>Sage Media Design :: Articles &#187; printing</title>
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	<description>Business, Entrepreneurship and Design&#039;s Role</description>
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		<title>Print is Not Dead</title>
		<link>http://sagemedia.ca/articles/print-is-not-dead/</link>
		<comments>http://sagemedia.ca/articles/print-is-not-dead/#comments</comments>
		<pubDate>Wed, 05 Nov 2008 14:37:02 +0000</pubDate>
		<dc:creator>Chanie Pritchard</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Collateral]]></category>
		<category><![CDATA[Innovation]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Packaging]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Trends]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[carbon]]></category>
		<category><![CDATA[choices]]></category>
		<category><![CDATA[emissions]]></category>
		<category><![CDATA[green]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[papers]]></category>
		<category><![CDATA[print]]></category>
		<category><![CDATA[printing]]></category>
		<category><![CDATA[recycled]]></category>
		<category><![CDATA[responsible]]></category>
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		<guid isPermaLink="false">http://sagemedia.ca/articles/?p=220</guid>
		<description><![CDATA[The Green movement is in full swing, and in most ways it&#8217;s a very good thing. Marketing hype issues aside, many have worried aloud about the future of the printed word/image. With digital alternatives becoming increasingly pervasive, and former print industry leaders abandoning the page in favor of the screen, what&#8217;s to become of our [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://sagemedia.ca/articles/print-is-not-dead/"><img src="http://sagemedia.ca/articles/wp-content/uploads/2008/11/greenpaper.jpg" alt="Green Printing" width="160" height="139" style="float:left; margin:0 10px 0 0" /></a>The Green movement is in full swing, and in most ways it&#8217;s a very good thing. Marketing hype issues aside, many have worried aloud about the future of the printed word/image. With digital alternatives becoming increasingly pervasive, and former print industry leaders abandoning the page in favor of the screen, what&#8217;s to become of our beloved magazines and photo albums?</p>
<p>Luckily, in amongst the world of digital photo frames and web based magazines, the paper industry is taking notice and finally stepping up to the plate. Recycled paper has been around for a while, but as with any buzzword, use of the word &#8216;recycled&#8217; doesn&#8217;t necessarily mean a whole lot. It could be as little as 10% recycled material, added to the fact that the raw materials are such a small part of the whole picture.<br />
<span id="more-220"></span></p>
<p>The more clever and responsible paper companies are re-examining their manufacturing processes, from the collection of raw materials right through to the mill floor and who provides their electricity. They&#8217;re not focusing blindly on steps allowing them to use the word &#8216;recycled&#8217; alone, but are taking larger scale steps to manage their overall carbon footprint and corporate contributions to (and subsequent limitation of) greenhouse gas emissions. The quantity and type of energy and chemicals used to manufacture the paper are also determining factors, and the end result is a much wider range of ecologically responsible choices for those of us in the business of designing materials for print.</p>
<p>But how do you know which option to choose? The Environmental Defense Fund is a good starting point. Their online paper calculator takes all of these issues into consideration, and compares the overall environmental impacts of a wide range of different papers across their full lifecycle. While they can&#8217;t possibly include all of the paper manufacturers at any one person&#8217;s disposal, they do paint a clear enough picture of the sort of questions you should be asking when in the position to choose your stock.</p>
<p>Carbon footprint at EDF is calculated by kg equivalent of C02/MT and broken down into four major impact factors:<br />
â€¢ Extraction of Wood<br />
â€¢ Transportation / Waste / Disposal<br />
â€¢ Manufacturing Energy<br />
â€¢ Fibre Procurement</p>
<p>They also provide specific paper comparisons to North American averages for both 100% recycled papers, and standard virgin papers. </p>
<p>You can check out the EDF Paper Calculator at <a href="http://www.edf.org/papercalculator" target="_blank">www.edf.org/papercalculator</a></p>
<p>At minimum, you should be looking for paper that is 100% post-consumer fibre, processed chlorine free, and manufactured regionally using responsible energy. In Canada, look for the Environmental Choice and FSC certification badges.</p>
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		<title>Digital vs. Offset Printing: How To Choose?</title>
		<link>http://sagemedia.ca/articles/digital-vs-offset-printing-how-to-choose/</link>
		<comments>http://sagemedia.ca/articles/digital-vs-offset-printing-how-to-choose/#comments</comments>
		<pubDate>Fri, 14 Sep 2007 13:32:35 +0000</pubDate>
		<dc:creator>Chanie Pritchard</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Collateral]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Trends]]></category>
		<category><![CDATA[colour]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[lithographic]]></category>
		<category><![CDATA[offset]]></category>
		<category><![CDATA[press]]></category>
		<category><![CDATA[print]]></category>
		<category><![CDATA[printing]]></category>

		<guid isPermaLink="false">http://sagemedia.ca/articles/?p=23</guid>
		<description><![CDATA[Design is a complex and multilayered industry, and just as good design begins about ten steps before pen actually hits paper (or tablet, as it were), neither does it end when the final digital proofs are approved and delivered. The actual implementation of the design must be treated with considerable thought and care as well, [...]]]></description>
			<content:encoded><![CDATA[<p>Design is a complex and multilayered industry, and just as good design begins about ten steps before pen actually hits paper (or tablet, as it were), neither does it end when the final digital proofs are approved and delivered. The actual implementation of the design must be treated with considerable thought and care as well, if you&#8217;re interested in gaining maximum effect from the design itself.</p>
<p>The most common implementation questions we come across are often in regards to printing&#8230; what finishes to use, what stock, and most often, should we use digital or offset printing?<br />
<span id="more-23"></span><br />
In the past decade, digital printing has benefited from a surge in popularity&#8230; due to a combination of increased affordability, technical advancements, and the availability of more options than were previously possible in digital print. Literally hundreds of new digital print companies have opened their doors online, making commercial print solutions more readily available to everyone. That said, this growth in popularity has also caused quite a bit of confusion for those not &#8220;in the biz&#8221;, and a few unscrupulous (or plain inexperienced) companies are taking advantage of this confusion&#8230; resulting in a large proportion of print consumers walking away with a product that does not meet their needs.</p>
<p>An understanding of the advantages and disadvantages of digital printing versus those of traditional offset lithography, is crucial in making the right choice in your printing company.</p>
<p><strong>MECHANICAL PROCESS</strong></p>
<p>OFFSET: Offset lithography is the most commonly trusted high volume commercial printing technology. In offset printing, the design image is first burned onto a plate, and is then transferred (or offset) from the plate to a rubber sheet, and finally to the printing surface. The lithographic process is based on the repulsion of oil and water. The image to be printed gets ink from ink rollers, while the non printing area attracts a film of water, keeping the non printing areas ink-free.</p>
<p>DIGITAL: If you have a desktop printer at home, you&#8217;re likely already familiar with the mechanical process of digital printing. Many of the mechanical steps required for offset printing are eliminated (namely, making films and color proofs, manually stripping the pieces together, and making plates), which results in a much more affordable print solution.</p>
<p><strong>ADVANTAGES OF DIGITAL &amp; OFFSET METHODS</strong></p>
<p><em><strong>DIGITAL ADVANTAGES:</strong></em><br />
In general&#8230;<br />
1. Shorter turnaround<br />
2. Lower costs for very small print runs<br />
3. Availability of variable data printing (database driven, e.g. mailing lists)</p>
<p><em><strong>OFFSET ADVANTAGES:</strong></em><br />
In general&#8230;<br />
1. Higher image quality, higher resolution and no streaks/spots.<br />
2. Works on a wide range of printing surfaces including paper, wood, cloth, metal, leather, rough paper and plastic.<br />
3. The unit cost goes down as the quantity goes up.<br />
4. Quality and cost-effectiveness in high volume jobs.<br />
5. Many modern offset presses use computer-to-plate (as opposed to the older computer-to-film system) further increasing quality.</p>
<p><strong>HOW TO DECIDE?</strong></p>
<p>Use this checklist to help decide:</p>
<p><strong>[ ] <em>Quantity</em></strong><br />
Offset printing has a front-end cost load, which means short runs (low quantities) may have a high per-unit cost. But as quantities increase, the unit cost goes down with offset printing. Very short runs can be more cost effective with digital printing; while larger quantities are likely to have a lower unit cost with offset printing.</p>
<p><strong>[ ] <em>Printing Medium</em></strong><br />
Do you need or want a special paper, finish or unusual printing surface, or unique size? The options are getting better for digital, but offset printing still offers the most flexibility.</p>
<p><strong>[ ] <em>Colour</em></strong><br />
Digital presses use four-colour process (CMYK) printing. If you need only black ink or one or two ink colors, offset printing may offer a more cost-effective solution. If you need four-color printing, digital may offer advantages in lower up-front costs. That said, a few progressive modern offset printing companies are now offering rich full-colour printing, with no added plate/setup fees for additional colours.</p>
<p><strong>[ ] <em>PantoneÂ®</em></strong><br />
If youâ€™re planning to print using the PantoneÂ® Matching System, offset printing will give you the best match, since it uses actual PantoneÂ® ink. Digital printing simulates the color using a four-color matching process, so some digital printers may offer less accurate color matching on projects.</p>
<p><strong>[ ] <em>Turnaround</em> </strong><br />
If you need it fast, digital <em>usually</em> offers quicker delivery. Again though, a few select offset print houses are now offering print turnaround in as short a timeframe as 24 hours.</p>
<p><strong>[ ] <em>Proofing</em></strong><br />
Digital offers more accurate proofs, since what you see is an actual sample of the printed piece, printed using the exact process as the intended run. For offset printing, if you need hard proofs, stringently accurate colour proofing can become expensive.</p>
<p><strong>[ ] <em>Customization</em></strong><br />
With the ease of database driven variable data printing, digital printing offers the most affordable way to customize marketing materials, direct mail pieces, letters, etc. with a different name/address or number/code on each printed piece.</p>
<p><strong>SUMMARY</strong></p>
<p>Digital printing can be the ideal solution for some people, but in our experience, computer-to-plate offset lithography (combined with respectably high quality stock and finishing) always yields the superior result in print quality. The trick then becomes finding the right partner.</p>
<p>Over the years, we have sampled the services of dozens of local and global print houses, and have painstakingly hand-picked a small selection of partners who put out consistently high-quality product, on time and in budget&#8230; with whom we have since developed trade agreements.  Not everyone is able to invest this sort of research into choosing the right print partner, but to ensure the best results, we would strongly suggest that you follow these minimal steps:</p>
<p><strong>1. Leave Nothing to Chance</strong><br />
Be very specific with your print company when communicating which stock you want used, which colours, which process (digital vs offset) and what sort of finishing or coating you want on your cards.</p>
<p><strong>2. Get Samples</strong><br />
Before initiating your print project, request samples from your prospective print companies. All reputable print houses have a standing offer of free samples expressly for this purpose.</p>
<p><strong>3. Proof</strong><br />
If you are managing your own print project, and are working with a local firm, be sure to request a pre-press proof before authorizing the full run. This will allow you to confirm that the company understood your specific instructions outlined in item 1 above. It will also allow you a hands-on preview of the final product, so you can catch any imperfections ahead of time. If you are working with a remote partner, be sure to request a digital proof&#8230; while this requires an element of trust in terms of the stock and finish, a digital proof will allow you to ensure all visuals are to spec.</p>
<p>In the end, a good design cannot fully live up to its potential when run on a shoddy print job. If you are as careful and selective in choosing a print partner as you were in choosing a design firm, you can ensure that the physical product that actually reaches your partners or customers is of the highest possible quality.</p>
<p>Because all things considered, high quality is precisely the message you want to deliver.</p>
<p><em><a href="http://www.sagemedia.ca">Sage Media</a> is an international corporate design firm based in Ottawa, Ontario.</em></p>
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		<title>Q&amp;A: What does excellent trade show signage look like?</title>
		<link>http://sagemedia.ca/articles/qa-what-does-excellent-trade-show-signage-look-like/</link>
		<comments>http://sagemedia.ca/articles/qa-what-does-excellent-trade-show-signage-look-like/#comments</comments>
		<pubDate>Tue, 30 Jan 2007 15:28:44 +0000</pubDate>
		<dc:creator>Chanie Pritchard</dc:creator>
				<category><![CDATA[Business]]></category>
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		<category><![CDATA[advice]]></category>
		<category><![CDATA[banner]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[display]]></category>
		<category><![CDATA[exhibit]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[expo]]></category>
		<category><![CDATA[exposition]]></category>
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		<category><![CDATA[sign]]></category>
		<category><![CDATA[signage]]></category>
		<category><![CDATA[trade]]></category>
		<category><![CDATA[tradeshow]]></category>

		<guid isPermaLink="false">http://sagemedia.ca/articles/?p=13</guid>
		<description><![CDATA[Question: What does excellent trade show signage look like? Is it simple? Colorful? Digital (narrowcasting)? Branded? Jan-Burger Troost, Owner, Wester ExpoGraphics Answer: Your exhibit and trade show booth graphic elements must powerfully reflect who you are and draw visitors to your booth in the midst of a loud, crowded exhibit hall filled with distractions and [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Question:</strong><br />
What does excellent trade show signage look like? Is it simple? Colorful? Digital (narrowcasting)? Branded?<br />
<em>Jan-Burger Troost, Owner, Wester ExpoGraphics<br />
</em><br />
<strong>Answer:<br />
</strong>Your exhibit and trade show booth graphic elements must powerfully reflect who you are and draw visitors to your booth in the midst of a loud, crowded exhibit hall filled with distractions and competitors&#8230;<br />
<span id="more-13"></span><br />
That said&#8230; it would be counter-intuitive to design your booth to blend in with the cacophony around you. Simple is always better, in my mind. People are attracted to clean, refreshing design&#8230; and if it&#8217;s situated in the midst of a sea of loud, tacky and overcrowded competitors, yours will stand out as an oasis of calm professionalism.</p>
<p>As a general rule of thumb, you have three seconds to make an impression on those walking past your display. Your overall design that includes each trade show booth graphic and sign must be simple and meaningful enough to compel attendees to walk in and learn more.</p>
<p>The content on your signage should simply and very clearly communicate &#8212; in as few words as possible &#8212; the benefits of your product. It is also wise to consider the impact of other important elements such as lighting, and even smell.</p>
<p>If you are hiring a professional design firm to create your tradeshow graphics for you, you should look for the following:</p>
<p>1. A style of creativity that is both engaging and clean<br />
2. Understanding of materials and how they are best used<br />
3. Ability to communicate ideas clearly and precisely<br />
4. Understanding of structure<br />
5. Understanding of graphic techniques (typography, photography, etc.)<br />
6. Understanding of technical requirements for large scale print<br />
7. Awareness of marketing trends and their relations to your objectives<br />
8. Ability to effectively research your target market for the event<br />
9. Trade connections in the print industry always help!</p>
<p>Of course, if you&#8217;re doing it yourself, then you should have the above all confidently checked off in order to come away with a successful result.</p>
<p><em><a href="http://www.sagemedia.ca/">Sage Media </a>is an international corporate design firm based in Ottawa, Ontario.</em></p>
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